

A NEWBIE PRINCE scales the tower of PRINCESS GWENDOLYN. He arrives through the window, only to be met by Princess Gwendolyn's sleepy disposition. She couldn't care less as he recites the standard "I've come to rescue you" lines. As the back-and-forth continues, the Newbie Prince cowers in fear when her dragon, NICKERBACHER, appears. Afraid simply because of the dragon's huge, beastly presence, the Newbie Prince flees.
Nickerbacher and Princess Gwendolyn remark upon their long time together. The princess acknowledges Nickerbacher's dream of being a comedian on The Late Knight Show. However, Nickerbacher dismisses the idea, as he must live in the tower for the rest of his days. However, the princess enjoys the place and has no desire to be in a castle and rule the kingdom.
Another prince named PRINCE HAPPENSTANCE arrives. He logically takes the stairs up the tower and is unafraid of Nickerbacher. And since Nickerbacher does not like to be violent, the prince quickly thwarts him and safely throws Princess Gwendolyn out of the castle. Princess Gwendolyn manages to escape his grasp and knocks him out. She ties him to his horse and sends him on his way.
PAPA DRAGON shows up and chastises Nickerbacher for not standing up for himself. He fears Nickerbacher's safety and refuses to let him live in the world because he doesn't want him to end up like his deceased brother, GAVIN.
Prince Happenstance attempts to retake Princess Gwendolyn. This time, Nickerbacher uses intimidation to stop the prince. However, Princess Gwendolyn comes up with the idea of allowing Prince Happenstance to take her to La La Land. In effect, Nickerbacher will have to follow after her to the city to "rescue" her, where he can pursue his comedic dreams and attempt to get on The Late Knight Show. All three agree to the plan and set off on the adventure.
WITCH HAZEL takes Prince Happenstance and drags him through the forest. Princess Gwendolyn and Nickerbacher get help from a pair of nosy leprechauns named TRAVIS and DARBY. They introduce them to their village, where they meet the elder ARGYLE, who discloses the witch's location.
They rescue the prince from the witch and go to La La Land. Nickerbacher auditions for The Late Knight Show but is denied outright by JOHNNY KINGSTON himself, who says there is no way he would allow fairytale creatures on his show. This assertion hurts Nickerbacher, but Argyle shows up and offers hope by giving Nickerbacher a job performing comedy at the Leprechaun Theater.
Prince Happenstance turned in his report on saving Princess Gwendolyn, and the other princes congratulated him.
Nickerbacher learns how to tell better jokes with the help of Argyle, who tells him to embrace his truth to write the most effective comedy. Nickerbacher opens up about Gavin, who, despite trying to live peacefully among humans in the city, was still distrusted; prejudice ultimately led to his persecution. It was then that he and Princess Gwendolyn left for the tower.
Nickerbacher gets funnier and attracts widespread attention from all audiences, even humans. Meanwhile, the princes at the guild do not like Nickerbacher's growing presence and frame him for a crime, which gets him kicked out of the city. He goes to live with his parents.
Princess Gwendolyn threatens Johnny Kingston to let Nickerbacher on the show and let him have an entire episode, or else she will reveal that he's been stealing jokes from fairytale creatures. The princes confess to framing Nickerbacher when many of them recall how Nickerbacher spared their lives and helped them.
Nickerbacher is excellent on The Late Knight Show and finally causes Papa Dragon to laugh. Soon afterward, Nickerbacher becomes more popular and lands his own show, adored by all.

Nickerbacher's screenplay is the winner of the ScreenCraft Family-Friendly Screenplay contest. It was also a finalist of the Creative World Awards, the Filmmatic Screenplay Awards, and the Final Draft Screenwriting Contest.
Nickerbacher is being adapted into an animated feature film at Arx Anima, an international studio with locations in Vienna, Frankfurt, Leipzig, and Madrid.
A revue of Rodgers and Hammerstein music from lesser-known works such as Allegro, Flower Drum Song, Me and Juliet, Pipe Dream, and State Fair, as well as successful shows like Carousel, Cinderella, Oklahoma, South Pacific, The King and I, and The Sound of Music.
Beyond the direction and a part of the choreography, Terry wrote storylines with original interpretations for each song and its transitions.
Robert F. Jani, a Disney Legends Award recipient, created sensational productions including the Main Street Electrical Parade, the Radio City Christmas Spectacular, and halftime entertainment for the Super Bowl.
With Terry as show director and choreographer, Mr. Jani formed a group of singers, dancers, and musicians who appeared in industrial shows nationwide and in performances with the Disney organization.
110 in the Shade is a musical adaptation of The Rainmaker. In The Rain Song, Starbuck brings wonder to a community and promises to end the drought. To add depth to the show, the chorus and dancers had character names with backstories that were part of families. Terry John Barto directed and choreographed the production.
Christmas Fantasea was presented in three acts: A Winter's Dream, set in Charles Dickens' Victorian era; Toyland; and Caribbean Christmas. The show included audience participation with adults and kids. Costumes by Bob Mackie. Conceived, directed, and choreographed by Terry John Barto.
Cinderella meets Prince Charming at the ball. Time passes as they get to know each other through dance. Each ensemble member embarks on a journey from being lost to finding themselves through the eyes of love. Concept and choreography by Terry John Barto.
A talented young turkey moves from a small town to Birdland to make her dreams come true, but has to navigate the shadier parts of the entertainment industry.
Sterling's transformation into action-figure size unfolds, immersing theme park guests in a thrilling ride based on an animated series and a graphic novel.
A teenage surfing phenomenon's grace at sea is counterbalanced by extreme social awkwardness on land as he and his pelican friend navigate everyday life.

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